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- <text id=91TT1640>
- <title>
- July 22, 1991: View Points:Opera
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- July 22, 1991 The Colorado
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIEW POINTS, Page 65
- OPERA
- Post-Funny in Poland
- </hdr><body>
- <p>By Michael Walsh
- </p>
- <p> If some Romantic operas are funny (e.g., Wagner's Die
- Meistersinger), can some post-Romantic operas be called
- post-funny? That was the question raised last week by the newest
- work of Poland's Krzysztof Penderecki, 57, a leading European
- composer who has increasingly been changing the gardes, from
- avant to rear. UBU REX, which opened the Munich Opera Festival,
- is based on the 1896 play Ubu roi, by French Absurdist Alfred
- Jarry, about a loathsome clod (read: typical bourgeois) who
- murders the King of Poland and, supplanting him, ruins the
- country. Yet even with the events of the past two years before
- him, Penderecki draws no particular political symbolism from the
- text, and his harmless, rather charmless tonal score simply
- galumphs forgettably along. Far more Ubu-like are the sets and
- costumes by artist Roland Topor, which achieve startling new
- depths of vulgarity through their persistent evocation of feces
- and entrails. Is a triumphal arch crowned by a defecating man
- waving toilet paper black humor, or does it go beyond post-funny
- and into the realm of merely disgusting?
- </p>
-
- </body></article>
- </text>
-
-